We are pleased to introduce our new Château hood design: the hood with stripes. You will now have the choice between the classic painted and plain hood or painted but decorated with two colored bands in the finish of your choice identical to the decorative trim.
Discover our brand new Cornufé accessory: solid brass flame caps. Usually black, our burners are now adorned with solid brass burner caps.
The wait is now over! La Cornue has partnered with major French companies specialized in kitchen cookware to offer you high quality equipment made in France.
Always concerned to meet the expectations of its customers and current trends, La Cornue will soon launch a new line of wooden furniture: Puissance 3, in collaboration with the French designer Elise Fouin.
Inspired by a contemporary version of Art Deco, we recently unveiled our new range: Château Suprême by Ferris Rafauli.
Efficient, trendy and customizable! Re-discover Cornufé and its exclusive customization program.
Depuis novembre 2019, La Cornue compte un point de vente en plus en France, et plus exactement à Lyon.
La Cornue était présente à « La Grande Exposition du Fabriqué en France » qui s’est tenue au Palais de l’Elysée les 18 et 19 janvier 2020 !
Regularly qualified as the kitchen Rolls Royce, La Cornue is proud to be the partner of the book « Exploring the Extraordinary – 100 years of Bentley Motors » which was launched in London in June, 9th 2019 with the Rolls Royce Enthusiastic Club and the Rolls Royce Owner Club.
A prestige wine Masterclass has been realised by Michel Bettane and Thierry Desseauve in order to guide our guests through their discovery of oenology, integrant part of the French Art of Living.
Um den wechselnden Lebensstilen gerecht zu werden und den Anforderungen seiner Kunden gerecht zu werden, bringt La Cornue ein neues Induktionskochfeld für die drei Topmodelle seiner Herdlinie Château (90/120/150) auf den Markt.
Anlässlich seines 110-jährigen Bestehens wagt sich La Cornue in eine kühne und moderne Zusammenarbeit mit dem Straßenkünstler Kongo, um sechs seiner Meisterwerke in Kunstwerke zu verwandeln.
„Das sind Farben, die ich in Europa sehe. Gedämpft und verblasst. Subtil genug, dass Sie nie müde werden. Klassisch, nicht trendy.“
